ARTCO Critique Article – North True South Bright – Solo Exhibition Ohad Matalon

ARTCO

Jia Zhen Tsai praises at ARTCO Magazine Matalon’s radical screen-based installations for launching an intense “internal political critique”. Celebrating how his non-object light projections brilliantly resist aesthetic capitalism, she lauds his masterly manipulation of the “politics of images” and “inversion of inversion” to dismantle the passive consumer gaze